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Stella Adler. Grand, commanding, intimidating, pontifical, majestic, mesmerizing. The most compelling acting teacher of twentieth-century theatre. “Life beats down and crushes the soul, and art reminds you that you have one,” she said. In his brilliantly edited second volume of the writings of Stella Adler, Stella Adler on America’s Master Playwrights, Barry Paris has reminded us of why she was also one of America's most acute readers of drama.Barry Paris will appear in this, our final offering…See More
What exactly is a tragedy? Can any contemporary play be considered a true tragedy? Or is our era just too spiritually puny, too mired in the trivial, the mundane, and the petty political to aspire to that grandiose dramatic form? In his dazzling and audacious book, Sean Carney explores this longstanding question by examining the work of recent British dramatists such as Edward Bond, David Hare, Howard Barker, Caryl Churchill, Mark Ravenhill and Sarah Kane. The Politics and Poetics of…See More
In 2000, Harvey Lichtenstein, recently retired executive director of BAM, invited Theatre for a New Audience (TFANA), a modern classical theatre, to build its first home in what was previously known as the BAM Cultural District. Established in 1979, TFANA produces Shakespeare alongside a wide range of other major authors. Jeffrey Horowitz, Founding Artistic Director, wanted space that would be both intimate and epic, but without one fixed perspective, so that artists could change the…See More
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