CAMERACINETICA

The camera moves faster than the framed subject: the shapes are lost, overlapping lights and shadows, colors are blended. It’s the dematerialization of the traditional narrative language and the review of the relationship between subject and background. By putting yourself on the same level of flowing things (rather than exceed their speed) you can perceive an indefinite spatial and temporal dimension, freezing all the time of exposure in a single instant. CAMERACINETICA is also a revenge against the digital technicism and constrain the instrument to bypass the goal of perfection for which has been designed.

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Comment by javier soto on July 17, 2009 at 12:33pm
Linda serie, me encantaron las nocturnas

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