Gutted: Los Angeles Contemporary Exhibitions (LACE) Annual Winter Benefit

Event Details

Gutted: Los Angeles Contemporary Exhibitions (LACE) Annual Winter Benefit

Time: February 20, 2010 at 7pm to February 21, 2010 at 12am
Location: Los Angeles Contemporary Exhibitions (LACE)
Street: 6522 Hollywood Blvd.
City/Town: Los Angeles, CA 90028
Website or Map: http://www.welcometolace.org/…
Phone: 323.957.1777
Event Type: art
Organized By: Dino Dinco
Latest Activity: Jan 16, 2010

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Event Description

LACE is pleased to present GUTTED: LACE’S ANNUAL WINTER BENEFIT. This year, LACE has teamed up with Los Angeles-based curator Dino Dinco, who brings his own passions and experience to this annual fundraising event. Inspired by Los Angeles’ history of performance art and LACE’s role as an open platform for artistic expression, Dinco has reached out to a range of artists, both established and emerging, to present an unrestrained evening of contemporary performance.

GUTTED showcases a daring ensemble of live performance, texts and objects speaking of, from and to the body. With a roster of creative talent spanning thirty years of live performance, GUTTED illustrates an array of ways artists have addressed the human form, spanning issues of domesticity and labor, AIDS, race, social activism, queerness, straightness, bodybuilding, body destruction, fantasy & grotesquerie.

Participating artists include: Benjamin Weissman, Raquel Gutierrez, Xuanito Carlos Espinoza Cuellar, Sheree Rose, Luis Alfaro, Alice Cunt, Lucas Michael, Elle Mehrmand & Micha Cardenas, Marcus Civin, Ryan Heffington, Rafael Esparza and Gronk, Brian Getnick/THE BALLET, Hi Fashion $9.99, Julie Tolentino & Pigpen, Taisha Ciara Paggett, Heather Cassils, Mariel Carranza, Dorian Wood, Samuel Vasquez, Bela Messex, Juan Martin del Campo Jr., and Joseph Shahadi.

The impetus for GUTTED stems from my love for performance as well as my ongoing interest in the work of French philosopher and social critic Jean-Luc Nancy, particularly his work Corpus. In this work, Nancy articulates that there is no ontology of the body, but rather, the body is ontology itself. The body is a familiar subject of discourse in the arts, as we have and will always already work from the body. A body of work. A body of knowledge. Through Nancy, I view LACE – the space – as a body that will fill with bodies, where the ongoing conversation about our / their / your bodies will continue. –Dino Dinco

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